viz.

Image Source: Gorgonetta

As gifs begin to occupy more and more space in internet discourse, I’ve been contemplating the various ways they reinvent older media forms.  New media theory tells us this is an inevitable historical trajectory; it is not just a characteristic of post-broadcast media but embedded in mediation as an ideological concept.  What I find particularly interesting about gifs is not just how they remediate the television shows, films, Youtube videos, and memes from which they derive meaning, but also how they relate to a much older form of media: silent film.  And in such a reading, the overlap between the production of fame and celebrity in the silent film tradition and in current gif discourse is remarkable—and worth discussing.     

Image Credit: Google Streetview Gallery

Google Maps has a remarkable new feature called Sea View that spotlights oceanic life and space. Sea View is essentially the marine version of Street View, a layer of Google Maps that allows users to navigate though 360-degree panoramic images of the Earth's surface. By extending the concept of Street View to the ocean floor, Google has added six coral reefs to the long list of cities, landmarks and parks users can currently explore remotely, from the comfort of their digital devices. The fascinating images captured so far by Google and its partner, Catlin Seaview Survey, bear out the imaginative quality of the overarching project. It's almost as if Sea View is Google's attempt to fulfill a common childhood fantasy: to experience what it would be like to live under the sea. With its zoomable and virtually traversable underwater imagery, Sea View enables adults and children alike to realize this wish (without having to worry about oxygen supply or the expense of travelling to distant coral reefs).

Image Credit: Appidemia.com

Scrolling through the online list of startups launched this week at Disrupt SF, an annual technology conference hosted by TechCrunch, feels a bit like peering into the future the Web.  The catchy slogans and names of companies like Hop.in, Oogababy, and Okdo.it proclaim a new kind of Internet experience, one that is better, faster and more seamless than ever. The only caveat is that many of these startups will not get the chance to impact the Web.  Almost half of new businesses fail before they hit their five year mark.

Image Credit: MIT's Macro Connections Group

Last week, as my students in my Rhetoric of Suburbs & Slums class presented their final movie projects, I was reminded of how we often judge a place after only a cursory glance. One group project especially got me thinking: “The Divide,” a student-made film that explored the differences between East and West Austin, included many images from East and West Austin along with candid interviews of residents from both sides of the divide. My students’ video reminded me of MIT’s Place Pulse project, which in turn reminded me of Kevin Lynch’s seminal urban planning book from 1960, The Image of the City. As a culmination of my time blogging about cities the last few months on viz., I’m going to talk about “imageability” and intimacy in Austin (and beyond).

Image Credit: F--- Yeah Ryan Gosling

Some recent procrastinating led me to Jezebel and thus Joey Thompson’s recent YouTube video, in which he teaches men how to look like actor Ryan Gosling. I was intrigued because I have been following the proliferating Ryan Gosling memes for a while—which have gone on long enough that they’ve been accused of jumping the shark.  Still, I’d like to take some time to think a little bit about what their newest evolutions might tell us about memes, form, and feminine desire.

Image Credit: Wikipedia

If you didn't see this image last week, you may have been hiding under a rock. Wikipedia reports that 162 million people viewed this image on January 18 as a result of their protest of the Stop Online Piracy Act and the Protect IP Act, which involved blocking all English-language content on the website. As a result of the blackout, 8 million people looked up their representatives in Congress, and a unknown number of people tweeted amusing and seeemingly illiterate things. (Mildly NSFW content in full post.)

Image Credit: screen capture from CookingUpAStory.com

I sat down in front of the television this Tuesday to watch the PBS premier of Dirt! The Movie on Independent Lens. I had been looking forward to seeing this documentary about the soil cylce and its importance on agriculture, health and geopolitics, and I had even planned to write about it for this week's post. As you can see, that plan fell through: I went in expecting a dirt-y movie, but mostly what I got was a mess. While there was plenty of titular soil in Dirt!, the film came across as a random collection of dirt-related vignettes that were either purely repetitive or entirely unrelated. In all fairness, cutting the film down to fit a one-hour running time may be responsible for the disjointed presentation, but most reviews of its Sundance screening agree that it is an unnecessarily rambling documentary. Needless to say, I was disappointed, but I had spent that morning talking to David Parry about the effects of internet technology and networked space on the established institutions of democracy, and as POV took over my television screen with its adapted running of Food, Inc., I began to think about documentary films-- and, in particular, films that intend to effect social and democratic change-- in the online time and space of the internet. Thinking about documentary film within a networked social space reminded me, fortuitously, of Cooking Up A Story, an internet hybrid that bills itself rather oddly as "an online television show and blog about people, food, and sustainable living." More about soil, sardines and the web-lives of food-docs (including video) after the break.

Image Credit: Screen shot from whatscookinggrandma.humanbeans.net

I first noticed the phenomenon of grandmothers cooking online when I came across Chow's "Cooking with Grandma" series. The first episode featured "Grandma Alvina" who shows her granddaughter how to cook prawn curry and coconut rice while telling the story of her 1972 move to the US from Burma. Chow has since added several more episodes in the series, and matriarchal kitchens seem to be sprouting up all over the internet and all around the world, offering their grandchildren and Youtube fans lessons in cooking and living history. More about culinary octogenarians, including video, after the jump.

Well. So much for being technologically savvy. After telling my students that I couldn’t find her bio anywhere, they hopped on the computer and found it within seconds. “Uh, Mrs. Wagner? I googled Annie Leonard and found her bio, right here on the Story of Stuff site.” In my head I thanked my years of teaching experience for my ability to not know something in front of my class. But anyhow, let me describe this class to you because it really worked well.