New York Times

Wallace as Visual Experience

David Foster Wallace mii figure playing tennis

"David Foster Wallace mii Playing Tennis" — Image Credit: Nick Maniatis, via Kottke.org

My first spring in Texas left me nostalgic for my Kentucky roots. This, of course, meant I’ve spent the last few weeks watching entirely too much March Madness. For Kentuckians, without a single professional sports team to call their own—and without Texas-sized performance and investment in college football—college basketball is a powerful source of sports identity. The showdown between the University of Louisville and the University of Kentucky in this year’s Final Four was an epic, almost state-shattering event.

I’m not much interested in halftime banter or commercial breaks, however, so the last few weeks have also included a good deal of channel surfing. As I surfed, I found myself catching glimpses of another sport I’ve always wanted to watch more of but never have: tennis. My potential interest in tennis has nothing to do with fond remembrances of my single season as a high-school tennis player (I was horrible). It’s a theoretical interest that is largely indebted to David Foster Wallace. Tennis figures prominently not only in Wallace’s well-known novel Infinite Jest, but in his essays.

Harry Ransom Center Bookshop Door Exhibit is Open

Frank Shay Bookshop Door
Image Credit: Harry Ransom Center
Please note, the opinions expressed herein are solely those of viz. blog, and are not the product of the Harry Ransom Center.

For those of you that missed it, this week’s The New York Times Book Reviewhad a write-up on the Harry Ransom Center’s new exhibition, The Door: The Greenwich Village Bookshop Door. The exhibit, which opens this week, invites visitors to contemplate Frank Shay’s bookshop door, an entrance signed by 242 members of the Village’s 1920s literary scene. Some of the signatories, such as John Dos Passos and Sherwood Anderson, are giants of American literature, while others are lost to time. At the opening of this fascinating exhibition, it’s worth pausing for a moment and considering what this door had meant to passersby.

Visualizing the Economy and the Rhetoric of Infographics

via Mother Jones, "It's the Inequality, Stupid"

Infographics can provide visual drama and emotional impact to otherwise incomprehensible and dry numbers. As Ladysquire's recent post on The 12 States of America demonstrates, they can be particularly good at capturing income inequality. The image from Mother Jones above is another nice example of the striking disparity among Americans' perception of wealth distribution, what they wish it were, and what it actually is.

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