viz.

Screenshot, "Pep Boys, 2009,"  Dark Stores, Brian Ulrich

Brian Ulrich's work focuses on the range of our experience with scenes of consumer culture. In one series, aptly titled Retail, Ulrich documents the familiar settings of bustling grocery stores, well-lit mega-chains including Target, and crowded malls. That series is populated with all types of American consumers. However, in a study in contrast, Ulrich has put together a series of photographs of deserted malls, vacant storefronts, and boarded-up restaurants entitled Dark Stores.

Graffiti by Banksy, Image via Holy Taco

As many of Banksy's works show, graffiti can convey social commentary. For example, the painting above, which shows a city worker sandblasting the famous Lascaux cave paintings just as he would modern day graffiti, wittily laments the blindness of local governments to public art.

Image credit: Screenshot, "Who's Afraid of Ai Weiwei?" Frontline

After last week's posts examining representations of the aftermath of the events in Japan, I was especially taken by moving and controversial images from last night's Frontline piece tonight on Chinese artist Ai Weiwei dealing with the aftermath of the 2008 earthquake that devastated the Sichuan province.

WTF, by Dominic Episcopo, from Meat America

Dominic Episcopo wants to explain to you "the indefinable adjective that is 'American'." And as far as he's concerned, the best way to do that is with meat.  The images are funny, deeply ironic, and often ambiguous given Episcopo's purported mission. 

Libraries of Health and Complete Antique, Brian Dettmer.

H/T to Brian Gatten, Lauren Gantz and NPR

In honor of World Book Day (March 3--but it's not too late to celebrate!) NPR's visual culture blog, The Picture Show, featured work by Atlanta artist Brian Dettmer. Dettmer takes vintage books and carves them into sculptures that, as Mito Habe-Evans explains, "[deconstruct] the linear narrative determined by the structure of the book" and open the door for new interpretations. In giving new life to a supposedly dying medium, Dettmer's sculptures make an argument about the cultural space of physical books, now and in the future.

An image series of Real Dolls from photographer Zackary Canepari's blog

No, this isn't a photo-essay about the box of human heads found on a Southwest Airlines flight last June.  But it's still a bit creepy.  The ominous and evocative image above is from series of photos by Zackary Canepari, documenting the construction of Real Dolls - anatomically correct mannequins that run about $6,000 for those in the market.  Not safe for work content after the jump.

 "Revolutionary" By Wadsworth Jarrell Via Howard University

What does 1960s black nationalist art say to us today?  TVLand's recent documentary on the Chicago-based Afri-COBRA movement suggests a few major takeaways.  One is that images created for a community--by a community--inspire revolution. But I'd like to draw out a second theme voiced by former Afri-COBRA members who argue in a variety of ways that change starts with mind, and not the body.

Nico in 1990 and 2010, France; Irina Werning

This week, I want to draw attention to Irene Werning's Back to the Future project (website probably not safe for work; there is a small amount of nudity), in which the artist meticulously reconstructs images from her subjects' pasts. The results are always impressive, often funny, and sometimes touching in their illustration of how much and how little changes with the passage of time.

Screen Shot of the video opening in The Johnny Cash Project

Cyber memorials are interesting beasts.  A new, more publicly available way to mourn, they are often sites of controversy - raising questions about representation, curation and the appropriation of tragedy.  But what happens when a multimedia memorial invites visitors to actively participate in the creation and curation of the content? A hyper-mediated explosion of awesome (among other things).

While the google “street view” feature has certainly revolutionized the way we look at maps, they’re now taking that technology a step further – over the threshold and into buildings.  The “Art Project,” powered by Google, has partnered with museums all over the world to bring not just the art, but the museums themselves to your computer.