Pathos

Convicting Capital Punishment in Art

 A black screen with white print that says 'I love ya'll.'

Image Credit: Screenshot from Tiny Subversions

When you live in Texas, you get used to people asking you to verify certain popular stereotypes: cowboy boots, country music, ten-gallon hats, and conservative politics. And—a belief in the capital punishment.

We Feel Fine

We Feel Fine

Image Credit: We Feel Fine

H/T: Stephanie Rosen

I spent an inordinate amount of time today on Jonathan Harris and Sep Kamvar’s thought-provoking website, We Feel Fine.  This website scans, or in their words “harvests,” weblogs for statements with the phrase “I feel.”  Each of these statements is then represented as a colorful “particle” and organized into a variety of visual and statistical data.  The website generates fascinating examples of how people communicate about feelings and gives a powerful impression of both the diversity and similarity among affective statements online.  It also raises important questions about privacy.  The statements and images on We Feel Fine are from blogs, MySpace and Flickr.  Harvested statements whose writers’ also posted images are represented as a “Montage” with the text embedded in the image.  Site users can then save and send these postcard-like pieces.  For both its creative design and surveillance techniques, We Feel Fine provokes interesting questions regarding affect, privacy and online writing.

 

Nina Berman Documents Iraq Wounded

I recently discovered the photography of Nina Berman and have been completely bowled over by it. Her photos of soldiers wounded in Iraq are some of the most emotionally wrenching I've seen, masterful examples of the emotional impact photos can have, regardless of what you think of the current war. I have a feeling that her images will be long remembered for how powerfully they document the wounded (as opposed to deceased) casaulties of the war in Iraq. The series "purple hearts" and "marine wedding" are especially powerful.

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