The necessity of teaching video composition

A few weeks ago I suggested that the seeming ineptness of many amateur videos indicates that most people are more skilled at textual production than at video production. William Saletan’s piece at Slate on video resumes got me thinking about this topic again. While the popularity of non-commercial videos on youtube argues that our culture is in many ways already video-literate, it is likely that the youtube community is self-selecting for video-savvy individuals. However, Heather Havrilesky’s recent review of Donald Trump’s Apprentice implies that there is a lack of awareness of a broader audience in that group, as well. Since we are near a point when video production will be as ubiquitous as text composition, it will soon become necessary for training everyone in video composition. If this is the case, I think it is likely that a huge part of the training in the rhetoric of video communication will be left to composition departments.

Technological innovations like Apple’s iSight camera, which now comes standard with all of its laptops, will soon put this technology in the hands of everyone with a computer. Returning to the Saletan piece, he provides a fairly inclusive list of pros and cons for video resumes, which, for the purposes of this conversation, can be summed as: everyone is going to start providing video resumes, so you need to as well. If videos are going to be a requirement for job-hunters, who will give students a rhetoric for creating these videos, the topoi that they should cover (or clichés they should avoid), and techniques for presenting themselves to their audience other than composition departments?

Eventually someone is going to have to create a video rhetoric for classroom use. Those of you who are more familiar with film studies might be able to suggest works in that field that already do this. I think the first step towards brining this conversation into the classroom would be assigning student videocasts. Blogging Pedagogy has had some interesting discussions on podcasts, and I think that assignments like this one by John Pedro Schwartz could easily be adapted for students with cameras in their laptops. Any thoughts on other videocast assignments?

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video composition

I tried out videocasting during Videoweblogging Week 2007 (April 1-7) and most of my casts were self-reflexive, how-should-I-do-this kinds of casts. See my blog (linked above) or search YouTube for "kab13" if interested; I recommend #5 as my most pedagogically oriented). I learned a few things, and I think students would as well.

When I teach video, I use some tools that are familiar to most who teach visual rhetoric: Scott McCloud's Understanding Comics (and Making Comics) translates pretty well to video; Robert Horn's 4 pages on camera angles, transitions, and placement in frame is excellent and straightforward (from Visual Communication). Learning from models, a familiar composition strategy, works well. YouTube's "10 Favorite Things" is a model / example students can work with, as is Hillman Curtis's "60 Seconds" videos that he made for Rolling Stone.

I have also posted a literacy narrative video to my blog; those who teach technological literacy narratives could presumably adapt that assignment to video as well.

Thanks for setting up the portal!

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