Visual Rhetoric

Unfair advantage?

The Human Rights Campaign's Daily Newsletter recently spotlighted an article in The New York Times about Michelle Bruce, a 46 year old politician in Riverdale, GA.

Michelle Bruce, 46, transgender politician in Riverdale, GA

Photo Op

Interesting arrangement/focus in the leading photo on the front page of The New York Times:
Bush and Gore in oval office
(Doug Mills/The New York Times)
Gore finds himself in front here (a little too close) and President Bush smiles, leering over his shoulder. The entire composition feels uncomfortable and, if this weren't the feeling they were going for, I'm sure the awkward photo would have ended up on the (virtual) cutting room floor.

Maybe I'm just feeling seasonal, but it seems they've chosen one of these men as the Grinch:
The grinch

Wonkette offers a different shot in which GWB is somewhat less creepy.

Analysis of political campaign posters

The New York Times has posted a slideshow by Ward Sutton, “Reading Tea Leaves and Campaign Logos,” analyzing the posters and bumper stickers of presidential candidates.

analysis of Bush/Cheney campaign bumper sticker

Women in Art (more rhetoric of the montage)

Perhaps a good point of departure for a discussion of Women in Film would be the creator's earlier attempt to give us an overview of Women in Art:

Does high art create/communicate normative body structures or gender roles in the same way as popular culture?

Shepherd Fairey Has a Posse

I remember when I used to live in Portland in the late 90s, and I would see these stickers of Andre the Giant in all the bus stops. I never knew what they meant, but I liked them well enough to peel one off a bus stop wall and stick it on my bike.
Shepherd Fairey's

Text or Image, why must we favor one over the other?

I just saw a talk given by Katherine Hayles here at UT. Hayles is arguing that literary criticism is missing something when it ignores the material aspects of a text. She calls for a new form of literary criticism that she terms media-specific analysis. This form of criticism views the material aspects of a text as contributing as much to the meaning of a text as the text itself. She showed two examples of electronic texts that make visual arguments at the same time that they make textual arguments.

Dylan's Theme Time Radio enters the visual realm

Those of you who subscribe to XM satellite radio may have come across Bob Dylan's weekly radio show Theme Time Radio. Recently comic artist Jamie Hernandez created an imaginative promotional poster for the show.
bob dylan's theme time radio poster by jamie hernandez

Boing Boing reader Simon Nielsen took Hernandez's poster one step futher and made a short movie tribute using Hernandez's artwork and the audio from Ellen Barkin's evocative voiceovers that open each episode of Theme Time Radio Hour. Nielsen writes:

A Compendium of the Visual Tropes of War

The music video above is by Serj Tankian (lead singer of System of a Down) and directed by Tony Petrossian. Depending on your taste in music, you may want to watch it with the volume turned down.

Making a public argument with the Trevi Fountain

In my rhetoric course, I ask students to find and bring in examples of protests. This week, one of my students brought in a news story about a man (Graziano Cecchini) who poured red dye into the Trevi fountain in Italy. The Trevi Fountain in Rome after Graziano Cecchini poured red dye into it

The BMI Project

Fat-acceptance activist/blogger Kate Harding has assembled a collection of photographs to illustrate "how ridiculous the BMI really is." Each photo title states the person's BMI status (underweight, normal, obese, and morbidly obese), and the range of representations is both shocking and breathtaking. My favorite is Moxie, the morbidly obese cat with a BMI of 58.6.

obese cat

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