Reply to comment

Visual Rhetoric Writing Exercise

I recently incorporated the Garry Winogrand photo below into an in-class writing exercise. The exercise is essentially the same as one that I came up with when helping Brooks Landon teach his Prose Style course at the University of Iowa a few years ago. Keep reading to learn more about the writing exercise.

dueling rhinos

I bring a photo in to class, usually one that depicts something weird, something that probably has a story behind it but that doesn't make that story explicit. I project the photo and don't tell the students a word about it, not when it was taken, by whom, nothing. Then the students have to write about the photo. It's a creative assignment and in this case I was trying to get them to think about form. Specifically, after a workshop on the subject in the prior class, I was asking them to write "cumulative" sentences. Cumulative sentences, for those of you who aren't prose style junkies, are described in Francis Christensen's essay "A Generative Rhetoric of the Sentence." So, the photo was just a prompt to get the students writing in a new mode that we had been working on. The exercise went very well and my students generated some whacky, but stylistically adventurous, prose. If I get their permission, I will post some of their writings in the comments soon.

Maybe this exercise isn't about visual rhetoric in the strictest sense. There's not much for us to read in this example. But I include it here, in this forum because, hell, it's close enough.

Reply

CAPTCHA
This question is for testing whether you are a human visitor and to prevent automated spam submissions.
2 + 5 =
Solve this simple math problem and enter the result. E.g. for 1+3, enter 4.

Your contribution to the blog: Please Read Before Posting

The viz. blog is a forum for exploring the visual through identifying the connections between theory, rhetorical practice, popular culture, and the classroom. Keeping with this mission, comments on the blog should further discussion in the viz. community by extending (or critiquing) existing analysis, adding new analysis, providing interesting and relevant examples, or by making connections between that topic and theory, rhetoric, culture, or pedagogy. Trolling, spam, and any other messages not related to this purpose will be deleted immediately.

Comments by anonymous users will be added to a moderation queue and examined for their relevance before publication. Authenticated users may post comments without moderation, but if those comments do not fit the above description they may be deleted.

Recent comments