Department of Rhetoric and Writing

The University of Texas at Austin

television

New Girl's New Man

Fox’s New Girl could never have avoided the question of gender. The very title isolates gender issues by framing protagonist Jessica Day within the male-dominated apartment she joins. The sexual politics of New Girl are mostly wrapped up in Zooey Deschanel’s character. My friend Mike, for example, has written about Jess as a postfeminist figure here, and the show creator herself has more than once addressed the gender politics of the Nick-and-Jess coupledom. I’d like to acknowledge that the “adorkable” appeal of Deschanel’s character positions her strangely between feminist and postfeminist positions, but, for the purpose of considering the visual appeal of the show, I’m more drawn to the way the show represents the masculinity of lovable douchebag, Schmit. 

Most of Schmidt’s best and worst qualities are verbal, not visual. For example, entire reels of one-liners, like this one and this one show off the snappy writing of New Girl’s staff. Still, the character’s arch depends heavily on the transition between the days when he was obese and the fit version we see weekly. 

Schmidt's story begins like this:

Fat Schmidt

Image Credit: E!online

Not Sorry: Orange is the New Black and Guilt

“I always think of her as a spider,” Laura Prepon says of her Orange is the New Black character, Alex Vause, in an interview for Elle magazine. Or, we might say, a snake. The show certainly presents Alex Vause as a temptress, the piece of fruit that convinced good-girl Piper Chapman to jump from grace.

Orange is the New Black Eden

Image Credit: Elle

 

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