Submitted by Sarah G. Sussman on Fri, 2014-02-21 13:51
Image credit: Wikipedia, Mars Curiosity Rover's first selfie
In my last post, I recounted a history of some of the most iconic images of space which primed my reaction to the Mars Rover’s portrait of Earth. This led me to offer a short curation of ways key figures have pathologized space, and their eco-critical views of space inflected by Earth, but all of this talk of Earth as “home” begs another question: If photos of Earth from space are photos of a shared home, are they a kind of self-portrait? More importantly, if robots are taking these images, are these self-portraits of humanity, or something posthuman? Lastly, why do those rovers have to be so darn cute?
When in the course of human events it becomes necessary for one person to distract herself from work, Facebook provides. Through the The Second City Network I found a video entitled “Founding Fathers History Pick-Up Lines.” Clearly, I couldn’t resist. I was deeply amused to watch Benjamin Franklin, Alexander Hamilton, Thomas Jefferson, James Madison, George Washington, and John Adams seduce modern women with such lines as “It’s not the Louisiana Purchase, but it will double in size,” “Never leave for tomorrow what you can screw today,” and “I take the virgin out of Virginia.” The full video below features many more salacious lines, some of which might not be SFW:
Submitted by Matthew Reilly on Tue, 2011-11-29 15:15
Video Credit: Youtube.com
John Lloyd, producer of Spitting Image (1984–1996), tells a story of how he was asked to validate the "humor" of the title ('If the unemployed are hungry, why don't they eat themselves') to television executives who missed his allusion to Jonathan Swift’s Modest Proposal (8:08 min). He had given these lines to the puppet of conservative MP Norman Tebbit (with bat above). Lloyd’s story gestures to two limitations to satire on the boob tube:
1. The public's general lack of familiarity with the satirical tradition
2. A pervasive demand for our ‘satirists’ to operate as ‘comedians’
A brief explanation through the lens of satires during Jonathan Swift's era (17th–18th c.) might clearly show that the english language/english-speaking population once possessed:
1. a refined and self-conscious conception of satire
2. a definite distinction between comedy and satire
To begin, if we consider Samuel Johnson’s Dictionary—published in the golden age of British satire—we find a striking differentiation between:
Comedy: [comedia, Lat.] A dramatick representation of the lighter faults of mankind
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