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 <title>viz. - Brian Collins</title>
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 <title>Obama&#039;s Design</title>
 <link>http://viz.dwrl.utexas.edu/old/content/obamas-design</link>
 <description>&lt;p&gt;As far as design goes, Obama has already won the presidency according to this New York Times&lt;a href=&quot;http://campaignstops.blogs.nytimes.com/2008/04/02/to-the-letter-born/index.html?scp=1-b&amp;amp;sq=Obama%2C+design&amp;amp;st=nyt&quot;&gt; article&lt;/a&gt;.  &lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;http://viz.dwrl.utexas.edu/files/obama-poster190a.jpg&quot; alt=&quot;Obama&#039;s campaign posters showing his face in profile and the words &quot;Change we can believe in.  Obama &#039;08&quot;&quot; class=&quot;center&quot; width=&quot;250&quot; /&gt;&lt;/p&gt;
&lt;!--break--&gt;&lt;!--break--&gt;&lt;p&gt;
Apparently continuity in design is crucial to a campaign in the same way that a consistent message is, and Obama has been out-doing McCain and Clinton at least in this arena.  Branding expert Brian Collins says that “From the bold ‘change’ signs to their engaging Web site to their recognizable lapel pins, [the Obama campaign has] used a single-minded visual strategy to deliver their campaign’s message with greater consistency and, as a result, greater collective impact.”  Obama is also able to send a coherent message via the multitude of different media sources that we’re using today.  It doesn’t stop there though--even Obama’s font is hip. &lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;http://viz.dwrl.utexas.edu/files/obama-fonts.190.JPG&quot; alt=&quot;The word change in three different fonts.  The first is in the Comic Sans font, which looks a bit like it&#039;s handwritten.  The second is the Times New Roman font, which is more formal with embellished edges. The third is Gotham font, which has thicker lettering and clean edges.&quot; class=&quot;center&quot; width=&quot;250&quot; /&gt;&lt;/p&gt;
&lt;p&gt;He’s using &lt;a href=&quot;http://typography.com/fonts/font_styles.php?productLineID=100008&quot;&gt; Gotham&lt;/a&gt;, which is modeled after the font used on signs at the Port Authority Bus Terminal in New York City.  According to Collins, it has a “blunt, geometric simplicity” but also manages to be “warm.”  I don’t know about all that, but it looks good to me.&lt;/p&gt;
&lt;p&gt;I also found it interesting that he’s been able to personalize his brand through the use of state-specific buttons that fuse a state’s abbreviation letters with his familiar “O” symbol.&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;http://viz.dwrl.utexas.edu/files/obama-button.190.JPG&quot; alt=&quot;The Obama campaign button for New Jersey.  It reads &quot;NJ for O&quot;.  The NF and the O are intertwined.&quot; class=&quot;center&quot; width=&quot;250&quot; /&gt;&lt;/p&gt;
&lt;p&gt;I agree with Collins in that it’s appropriate for a man who is clearly in tune with the power of rhetoric to also understand the power of visual rhetoric and design.&lt;/p&gt;
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 <comments>http://viz.dwrl.utexas.edu/old/content/obamas-design#comments</comments>
 <category domain="http://viz.dwrl.utexas.edu/old/taxonomy/term/380">branding</category>
 <category domain="http://viz.dwrl.utexas.edu/old/taxonomy/term/382">Brian Collins</category>
 <category domain="http://viz.dwrl.utexas.edu/old/taxonomy/term/5">design</category>
 <category domain="http://viz.dwrl.utexas.edu/old/taxonomy/term/378">fonts</category>
 <category domain="http://viz.dwrl.utexas.edu/old/taxonomy/term/381">images</category>
 <category domain="http://viz.dwrl.utexas.edu/old/taxonomy/term/379">Obama</category>
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 <category domain="http://viz.dwrl.utexas.edu/old/taxonomy/term/161">typography</category>
 <pubDate>Sat, 05 Apr 2008 05:31:15 +0000</pubDate>
 <dc:creator>LaurenMitchell</dc:creator>
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