viz. - Political Ads

I'm Jack Nicholson and I approve this message

Jillian Sayre — Sun, 02 Mar 2008 20:27:50 +0000

Today I was introduced to Jack Nicholson's video endorsement of Clinton. It is currently making the rounds on YouTube:

Here's the problem I see with his montage-style endorsement: Nicholson lets his fictional characters do the talking and the most obvious problem here is that Nicholson rarely plays sympathetic characters. When the Joker asks me "Who do you trust?" and Col. Jessop from A Few Good Men tells me how military leadership should work, I don't feel benevolent towards their recommendation. Then there's the appalling moment when we return to Jessop to hear him talk about the sexiness of a woman in power. Is speaking through the mouths of liars, murderers, and psychopaths the best strategy to forward an endorsement?

Are these the cultural icons one wants associated with one's campaign?

At least, to follow up on Tim's post about the Devil and Hillary Clinton, we have no Witches of Eastwick

The call is coming from inside the House!

Jillian Sayre — Sat, 01 Mar 2008 17:53:14 +0000

Check out a new political ad from the Clinton campaign:

I almost didn't want to be the one to blog about this one, because we've got some pretty rich material here. My favorite thing about this piece, though, is that it reminds me of the old Babysitter horror stories we used to/still tell ourselves. It really puts the domestic in domestic threat.

Making the Best out of Your Hook Hand When Running for Senate

Nate Kreuter — Mon, 28 Jan 2008 20:57:29 +0000

In Oregon, one of the 49 states that I am not from, Democratic Senate candidate Steve Novick has released a few campaign ads that cleverly play on two of his attributes that might otherwise be construed as weaknesses, his 4'9" height and his prosthetic hand. A friend forwarded me a link to a Huffington Post blog entry about the ads. I have embedded the actual ads below.

I like to use short videos like these in my rhetoric class to get students talking about basic rhetorical principles, such as how a person develops a particular ethos, and what the ramifications of that ethos might be for various artists.