viz. - Flickr

"Maybe These Maps Are Legends": Ghost Signs and the Traces of the Past

Jake Ptacek — Tue, 29 Nov 2011 14:00:40 +0000

Austin, TX, Ghost Sign, image from Flickr

There is nothing in heaven above, in the earth beneath, in the water, or in the air we breathe but will be found in the universal Language of the Walls. ("The Language of the Walls," anonymous, 1855).

Maps are propositions as well as indexes, making visual arguments about our orientation in this world--a good map (whether road or otherwise) gets us somewhere, forces us to reconsider the relationship between us and the world. Advertising, that pernicious beasat, is also somewhere between sign and proposition. A visual referent to a thing--a bottle of beer, a pack of gum, an insurance service--an advertisement also makes an argument or, at the very least, presents a fantasy of (self-)orientation. But what happens when those relationships are obscured, when the fantasy becomes outdated? What happens when the ad remains after the product is gone?

Image, John Orlando Parry, "A London Street Scene," 1835 from Wikimedia Commons

Advertising really becomes a science and a spectacle under the Victorians, who understood (and saw the signs of) the radically changing nature of capitalism. victorians pioneered advertising on the walls, as the sardonically frustrated narrator of "The Language of the Walls" notes. Advertising thus became a kind of "commodification of public space", as Sam Roberts and Sebastian Groes call it; an intrusion that we now take for granted began as a visual index of the transformation of public culture.

Galveston, TX, Ghost Sign, image from Flickr

The marks of this early advertising culture are all around us today, sometimes revealed--as in this photo--by the restructurations of late capitalism. As the photographer notes, this ghost sign only became visible after a local business had been pulled down. Ghost signs, then, function as both advertisement and map, indexing a previously obscured spatial relationship to the past. Often overlooked or unobserved, ghost signs write out--visually signify--a complex map of urban histories.

Galveston, TX, Ghost Sign, image from Flickr

Multiple businesses can be encoded onto each other. Like a palimpsest, ghost signs narrate the derridean traces ("the mark of the absence of a presence, an always-already absent present") of history (local, cultural, capital) in physical form. They are inscrutable maps as well as unobtainable fantasies; as such, they represent almost pure representation (italicize), as it were, as they now exist without a goal or purpose, "signifying nothing."

Baltimore, MD, Ghost Sign, image from Flickr

Flickr Visual Rhetoric Assignment by Eileen McGinnis

Lisa Gulesserian — Wed, 02 Nov 2011 18:16:40 +0000

Image Credit: topgold

For a handout, download the PDF document outlining this assignment.

Overview:

At the start of the semester, my students in “The Rhetoric of Science Writing” read an excerpt from Pale Blue Dot, Carl Sagan’s prose meditation on a grainy image of Earth taken from the Voyager One mission. Without the accompanying text, the photograph is pretty unimpressive. However, after reading Sagan’s words, it would be difficult for readers to question the value of that image, since at stake is nothing less than our definition of what it means to be a human occupant of Earth, an argument for our responsibilities toward each other and toward the planet.

For their final short assignment, students themselves try on the role of “science writer”: they are asked to find a scientific image, contemporary or historical, and write a brief (500-600 word) argument that attempts to persuade a non-scientific audience of their image’s value. Their goal is to convince readers that their chosen image warrants a closer look and to leave them with a more informed appreciation of its contents.

Rather than submitting the assignment and accompanying image to the instructor, they will post both the image and text to the photo-sharing site Flickr. Using Flickr to collect students’ work will then enable them to present and discuss their images on the following class day. In addition, the relative “publicness” of this assignment will hopefully foster a sense of community and shared purpose (students can use content-specific tags to make their visual arguments more easily searchable by a broader audience).

Of course, this exercise doesn’t necessarily have to come attached to formal assessment.

The broader idea here is to use Flickr to create a class “image gallery,” which will facilitate discussion about both individual images and trends across a group of images. Flickr would also work for a more informal homework assignment or even an in-class activity on visual rhetoric, in which students retrieve and analyze visual artifacts for class discussion.

Pedagogical Goals:

To practice considering audience, establishing ethos, and finding voice.
To appreciate the ways in which visual and textual information can combine to create a powerful argument.

Description:

Rather than walking through the details of my particular assignment, I’ll provide a couple of logistical tips that are more broadly applicable to using Flickr in class:

On the day before the assignment is due, one would likely spend a class period on visual rhetorical analysis. So, using Flickr to post one’s own images for that class discussion might help to model how Flickr can be used in a rhetoric classroom. It would also make sense to leave time for students to set up Flickr accounts on the class computers.
Make sure that students “tag” photos with the unique number for the course, so that you can easily search for the images later. You might also link your course site to the unique-number search results on Flickr, so that there is a record of the group project.
Note that Flickr allows students to annotate photos directly, which might be helpful for students’ presentations of their images.

Modifications:

The “Groups” feature on Flickr might offer another way to organize your students’ posts versus having them tag the photos. If you were concerned about access, it would also allow you to control who gets to view the images and/or comment on them.

Credit:

Thanks to John Jones for helping me figure out the logistics.

Flickr hosts LOC photos; Smithsonian next?

John Jones — Sat, 19 Jan 2008 19:01:47 +0000

The Library of Congress has created its own Flickr homepage and posted 3,000 public-domain photos to the site. This first collection of the LOC’s 14 million images is part of a pilot project called “The Commons.” The images are labeled with the photographer’s name and short descriptions, but the LOC is relying on Flickr’s users to provide tags for the images.

This is a fantastic idea. Not only is it great for the public, who will have easier access to these images, it should be great for the LOC, who are offloading to resource-intensive tasks—cataloguing and hosting the images—to a service that will do them both for free.

In the first case, the ease of use and popularity of Flickr can only be an improvement on the LOC’s previous efforts to post their images. A few months ago I played around with the LOC American Memory Project site while I was researching a post on visual resources for teaching Border Studies. This site isn’t nearly as full-featured or easy to navigate as Flickr, so moving the images to that service can only make them more accessible.

As for the second point, I’m sure it would be ideal for librarians to to do all of the tagging of these photos, but, having provided the catalogue information, I think this job could be easily completed by volunteers at Flickr. Additionally, while notices have primarily focused on the ability of users to tag these photos, what about Flickr’s other features, like locating the images on a map? In short, I think the accessibility and informational benefits that Flickr provides are going to greatly increase the value of these images to both the LOC and everyone else.

This is a great move by the LOC. Hopefully, other government agencies will follow their lead. (Over at Boing Boing, Cory Doctorow has posted some analysis by “Rogue archivist” Carl Malamud, who argues that the Smithsonian should follow the LOC’s lead and get Flickr to host their images a well.)