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Image Credit: Screenshot from YouTube

While baseball is more my sport, I haven’t missed watching the Super Bowl for the last couple of years. If nothing else, I enjoy analyzing the Super Bowl commercials—and this year’s Chrysler commercial featuring Clint Eastwood presents an irresistible opportunity to discuss some interesting controversies. Both conservative critics like Karl Rove and the Wall Street Journal’s Steve Goldstein and liberal ones like Michael Moore and Charles Mudede have read the commercial as promoting Obama’s reelection campaign. The ad’s copy and visuals directly connect the fates of Detroit and the auto industry with larger economic and political trends, as you can see:

The former Main Labor Department mural, Judy Taylor, via The Portland Press Herald

As of Monday, a 36-foot mural in the Maine Department of Labor was removed by order of Governor LePage because of its perceived "anti-business" bias.  The mural, created by artist Judy Taylor, depicted scenes from Maine's labor history and was criticized by local business leaders for being overtly "pro-union" and therefore inappropriate for a taxpayer-funded building.  Debate over the mural, of course, appears to be an extension of the intense debates about the status of the labor movement nationwide, but particularly in states like Wisconsin and Illinois, where public-sector unions have experienced considerable political setbacks following the conservative "wave" election of 2010.