science fiction

Lilo & Stitch: The Danger of Beautiful Stories

The alien Stitch lies flat on his face in front of the book, "The Ugly Duckling"

Image credit: captured from Netflix.com

If Frozen (as my previous blog argues) gleefully revises Disney’s traditional iconography, Lilo and Stitch does something far more interesting. Both are, in their ways, re-telling of fairy tales, but Lilo and Stitch proves far weirder, as well as far more intelligent, than its visually-immaculate descendent. We have already discussed Lilo and Stitch once at the Viz blog, praising it for its ability to subvert the “prince charming” narrative. Yet Lilo and Stitch is certainly worth at least one more look. The film is, in fact, both far more critical, and far more thoughtful, than Frozen is. Indeed, the film (despite its rough spots) is sophisticated and thoughtful in a lot of ways that Frozen never dreams of being, and may have something quite important to say about the way we engage with popular children’s stories. 

If Our Greatest Toy Maker Had Lived Ten More Years..

Jobs with iPad opposed to Henson with creatures

Image Credits: Newscom and  Jim Henson Tribute Forum

Novelist Bruce Sterling, who gave a very hip keynote address on designer Norman Bel Geddes (1893-1958) at this year’s Flair Symposium "Visions of the Future," concluded his remarks with a challenge: Which of us has the courage to imagine the future like Bel Geddes did? Larger than life, impracticable, earnest, utopian, democratic, dazzling: can we still dream like that?

In this post, I give it a go with a foray into the sci-fi genre of Alternate History: What if Jim Henson (1936-1990) had lived a further ten years and had gotten involved in the Silicon Valley scene? How might computing have developed differently? 

Real World Metropolis, Future City on Film: The Image of Vancouver in Battlestar Galactica

Caprica: Subtitled "Cylon Occupied Caprica" over tall skyscrapers

Image Credit: Pat Suwalski

To continue my discussion of real cities represented as futurescapes on film, this week I’ll be talking about the much-loved sci-fi TV series Battlestar Galactica. The series, a “reboot” of the less critically-acclaimed series of the same name from 1978, was filmed and aired from 2003 to 2009. Instead of solely relying on special effects to create a future city called Caprica in the show, the series’ creator, Ronald D. Moore, decided to use a real-life glittering city on a bay. In Battlestar Galactica, Vancouver is the future. And the future is now.

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