painting

Storytelling in Motion: Jacob Lawrence's "The First Book of Moses, Called Genesis. The King James Version."

Lawrence Genesis In the Beginning

Lawrence, no. 1: ("In the Beginning--All was Void") Image From: Bill Hdoges Gallery

Replete with bright flashes of color, the "Genesis" series of Jacob Lawrence (1917-2000), currently on display on the back wall of the Harry Ransom Center's King James Bible exhibition, pulled me in like a tractor beam from across the room. It is perhaps only appropriate, then, that the subject of this series is an enthralling spectacle of storytelling and creation.Though Lawrence is perhaps best known for his "Migration Series," a sixty-panel retelling of the African-Americans' migration across the United States, Lawrence's comparatively short (8 panel) portrayal of the narration of Genesis deserves attention for its ability to express a powerful sense of motion in a single place. 

Lee Price and Exposed Eating

bird's eye view of a woman eating a lot of food in a pretty living room

Lee Price, Sunday.  H/t to Jezebel, Sociological Images

Lee Price paints photorealistic portraits of her subject (usually herself) consuming food that we might label "bad:" for example, McDonalds, cupcakes, pie, and so on. While Dr. Lisa Wade's piece for Sociological Images focused on the way these paintings make public what is often a shameful, private act and elevate it through the use of "high" medium (painting), I was most interested in the way these images seem to acknowledge these commonly held beliefs about indulgent consumption even as they complicate them. I'd like to take a stab at raising more questions about Price's work and how it formulates an argument about bodies, pleasure, shame, and excess. Pictures after the jump are NSFW.

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