viz.

Artist Jason Freeny's LEGO Anatomy Model

Image Credit: hiconsumption.com

In my last post, I laid out the theoretical groundwork of biopolitics for a critique of the subversive potential of the LEGO movie. Biopolitics, or the epistemological and sociopolitical forces that determine how individuals understand bodies and “life,” lets us examine both the LEGO movie's own critique of social constructivism and comment on the movie's failure to adequately separate itself from static models of gender and sexuality.