visual media

Mowgli's Brothers: The Jungle Books, Wild Children, and the Twentieth Century

Alexander Korda, The Jungle Book, 1942 

Image:screenshot from volotov.com

              “The first thing I want you to do,” Walt Disney is reported to have said to lead scriptwriter Larry Clemons upon giving him a copy of The Jungle Book, “is not read it.”  Indeed.  Not reading The Jungle Book, Rudyard Kipling’s 1894 collection of moral fables about Mowgli’s childhood among the animals and re-entry into human civilization, is a bit of a cottage industry.  As one of the western world’s most famous feral children (alongside fellow turn-of-the-century literary peers Peter Pan and Tarzan), Mowgli has long been public property.    But in the hundred-odd years since Mowgli, Baloo the Bear, and Shere Khan first entered our collective unconscious, the Jungle Books have embarked on their own odyssey that takes in everything from Imperialist allegory, Edwardian paramilitary organizations to Soviet science fiction and contemporary eco-criticism.  And that’s just “The Bare Necessities.”  All told, Mowgli’s adventures have taken him places Kipling—for all his fertile imagination—would never have dreamed, forming a kind of secret history of the twentieth century.  In what follows, I try to quickly unpack some of that history through various images of Mowgli and The Jungle Book.

Imagining the 99%: Occupy Austin's (Visual) Self-Representation

Occupy Austin Bullhorn Image

Image: Screenshot from occupyaustin.org

If you couldn't tell from the past few days of viz.'s coverage, the Occupy Austin protests continue, if attendance has mildly abated from this weekend's high.  This blog is not an appropriate venue for the discussion of the movement’s goals (you can find more intelligent discussion about Austin’s own version of the movement here and here).  However, I am interested in the ways in which the Occupy Austin movement represents its constituents.  The Occupy Wall Street / Austin brief—which aspires to represent 99% of the American (some Austin material intransigently claims “world”)  populace—faces a particularly clear set of representational challenges even as social networking allows its images to proliferate in ways unimaginable even five years ago.  For the rest of this post, I’ll highlight some images from Occupy Austin’s affiliated website.  

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