viz.

Image credit: captured from Netflix.com

If Frozen (as my previous blog argues) gleefully revises Disney’s traditional iconography, Lilo and Stitch does something far more interesting. Both are, in their ways, re-telling of fairy tales, but Lilo and Stitch proves far weirder, as well as far more intelligent, than its visually-immaculate descendent. We have already discussed Lilo and Stitch once at the Viz blog, praising it for its ability to subvert the “prince charming” narrative. Yet Lilo and Stitch is certainly worth at least one more look. The film is, in fact, both far more critical, and far more thoughtful, than Frozen is. Indeed, the film (despite its rough spots) is sophisticated and thoughtful in a lot of ways that Frozen never dreams of being, and may have something quite important to say about the way we engage with popular children’s stories. 

Image credit: The Guardian

The first song composed for (but ultimately cut from) the recent Disney blockbuster Frozen explicitly engages with Disney's presentation of female characters. In the song, entitled "We Know Better," young princesses Elsa and Anna lay out a laundry list of objections to the traditional idea of a "Disney Princess." The film's two heroes refuse to be the sort of princess who "always knows her place," insist that a real princess “laughs and snorts milk out her nose," and maintain their right to mention “underwear.” Though whimsical, the film sets out its heroines' priorities: the only things they take seriously are their sisterly friendship and the political demands of ruling the realm. In climactic two-part harmony, the girls promise to "take care of our people and they will love / Me and you." If films like Tangled and Brave taught Disney that their princesses can (quite profitably) take center stage without dressing up as boys, Frozen insists that its female leads will be more concerned with national policy than with the clothes they wear.

The Anime Within, Elena Dorfman

The image above is from a photo essay on the Mother Jones website. The essay, entitled "The Anime Within," was disappointing to me, and while I don't want to malign Dorfman's project, especially since I am glad to see cosplay getting attention in a publication that might not normally address it, I do want to critique some of the messages that these images send.