Voodoo Nation

Holy Man*

So earlier this week, I'm checking my news online and I come across this photo of Barack Obama:

a photo of Barack Obama standing at a podium.  The spotlight behind him gives a halo effect

Obama poster art

Obama campaign poster, his silhouette against the words America needs a thinker think your words think Obama
"The Thinker," by gausa

A recent New York Times "Campaign Stops" blog brought my attention to the incredible variety of poster art being produced in support of Obama. The blog post I link to here discusses a few of the images in detail, but it leaves a lot untouched.

William Eggleston

William Eggleston

Story of Stuff Part Deux

Well. So much for being technologically savvy. After telling my students that I couldn’t find her bio anywhere, they hopped on the computer and found it within seconds. “Uh, Mrs. Wagner? I googled Annie Leonard and found her bio, right here on the Story of Stuff site.” In my head I thanked my years of teaching experience for my ability to not know something in front of my class. But anyhow, let me describe this class to you because it really worked well.

"That's so gay."

Image Meltdown

A compelling essay on the current money mess by Charles Eisenstein at the eclectic and ambitious web magazine, Reality Sandwich, offers the following perspective on the larger meaning of “meltdown”:

The Story of Stuff

So I showed the video “The Story of Stuff” to my rhetoric and writing class this past week. We’re doing the basics in this class—learning how to argue by learning how to analyze others’ arguments. Made by a woman named Annie Leonard, the 20-minute half-animated video details the history of our post-World War II consumer economy.

Campaign rhetoric of yore

1900 Republican campaign poster

During this campaign season it's enlightening to recall a little history.

Killer of Sheep

girl in dog mask

Charles Burnett’s little known and nearly plotless masterpiece, Killer of Sheep, offers a tender yet realistic vision of life in 1970s Watts, the racially segregated suburb of Los Angeles where poverty, racism, and riots doomed the area to generations of social and economic oblivion. Inspired by Italian neo-realism, Burnett’s camera lingers on characters—many played by non-actors—to reveal situations of familial intimacy and communal identification.

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